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<channel>
	<title>Juliette Le Monnyer</title>
	<link>https://juliettelemonnyer.com</link>
	<description>Juliette Le Monnyer</description>
	<pubDate>Tue, 24 Feb 2026 15:35:21 +0000</pubDate>
	<generator>https://juliettelemonnyer.com</generator>
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	<item>
		<title>Juliette Le Monnyer</title>
				
		<link>https://juliettelemonnyer.com/Juliette-Le-Monnyer</link>

		<pubDate>Wed, 04 Sep 2019 14:25:34 +0000</pubDate>

		<dc:creator>Juliette Le Monnyer</dc:creator>

		<guid isPermaLink="true">https://juliettelemonnyer.com/Juliette-Le-Monnyer</guid>

		<description>

	

&#60;img width="1357" height="1920" width_o="1357" height_o="1920" data-src="https://freight.cargo.site/t/original/i/1c2b06b718ea18bc79754819edfeebec8ed70af42dd451c1323d22a0b12ca519/JL_Ramallah_Affiche_2026_V2_A_RVB_20260218_Web.jpg" data-mid="245681473" border="0"  src="https://freight.cargo.site/w/1000/i/1c2b06b718ea18bc79754819edfeebec8ed70af42dd451c1323d22a0b12ca519/JL_Ramallah_Affiche_2026_V2_A_RVB_20260218_Web.jpg" /&#62;
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&#60;img width="3357" height="1881" width_o="3357" height_o="1881" data-src="https://freight.cargo.site/t/original/i/cd429ec73dd8f344055c7c9ab6b39852185debc614d37e54249e1e51b8bed5d2/Capture-decran-2022-08-09-a-16.45.06.PNG" data-mid="218431691" border="0"  src="https://freight.cargo.site/w/1000/i/cd429ec73dd8f344055c7c9ab6b39852185debc614d37e54249e1e51b8bed5d2/Capture-decran-2022-08-09-a-16.45.06.PNG" /&#62;
&#60;img width="1067" height="1600" width_o="1067" height_o="1600" data-src="https://freight.cargo.site/t/original/i/f6c6ba77cb0c0e3a8c82870d8d652745dbd02e82787d062e43671f468aa15a19/IMG_0336-2.jpg" data-mid="226110303" border="0"  src="https://freight.cargo.site/w/1000/i/f6c6ba77cb0c0e3a8c82870d8d652745dbd02e82787d062e43671f468aa15a19/IMG_0336-2.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ca3d8900956461f0da61dc5bd5baa57203ce0acad9fae56b58df5a6cc171fd5f/Juliette_Le_Monnyer_Reperes_Photo_5.png" data-mid="218424922" border="0"  src="https://freight.cargo.site/w/1000/i/ca3d8900956461f0da61dc5bd5baa57203ce0acad9fae56b58df5a6cc171fd5f/Juliette_Le_Monnyer_Reperes_Photo_5.png" /&#62;&#60;img width="1067" height="1600" width_o="1067" height_o="1600" data-src="https://freight.cargo.site/t/original/i/f506359458f09aabe7bdc05518f113a6531eec284dc27dd59dab1e39bac1254f/_MG_7223-2.jpg" data-mid="226110268" border="0"  src="https://freight.cargo.site/w/1000/i/f506359458f09aabe7bdc05518f113a6531eec284dc27dd59dab1e39bac1254f/_MG_7223-2.jpg" /&#62;&#60;img width="1365" height="2048" width_o="1365" height_o="2048" data-src="https://freight.cargo.site/t/original/i/9fdadffa2343335e1d813311e153bc4b4c4288a711eb927e0dfc6accc039d5eb/IMG_9782-2.jpg" data-mid="245842232" border="0"  src="https://freight.cargo.site/w/1000/i/9fdadffa2343335e1d813311e153bc4b4c4288a711eb927e0dfc6accc039d5eb/IMG_9782-2.jpg" /&#62;&#60;img width="2877" height="1622" width_o="2877" height_o="1622" data-src="https://freight.cargo.site/t/original/i/9cca88c2bcb636602ef7d51a2d47b46334d80cdc3fee1100bd8738bffef8d3cb/Capture-decran-2024-09-15-a-15.40.28.png" data-mid="218431642" border="0"  src="https://freight.cargo.site/w/1000/i/9cca88c2bcb636602ef7d51a2d47b46334d80cdc3fee1100bd8738bffef8d3cb/Capture-decran-2024-09-15-a-15.40.28.png" /&#62;


&#60;img width="3447" height="5170" width_o="3447" height_o="5170" data-src="https://freight.cargo.site/t/original/i/c067ff07d009117e7c74607cad746b241a90af2e6fb4872287182b94ee5f7243/IMG_9173-Modifier.jpg" data-mid="165393592" border="0"  src="https://freight.cargo.site/w/1000/i/c067ff07d009117e7c74607cad746b241a90af2e6fb4872287182b94ee5f7243/IMG_9173-Modifier.jpg" /&#62;





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	<item>
		<title>Selected Works</title>
				
		<link>https://juliettelemonnyer.com/Selected-Works</link>

		<pubDate>Fri, 24 Feb 2023 14:51:44 +0000</pubDate>

		<dc:creator>Juliette Le Monnyer</dc:creator>

		<guid isPermaLink="true">https://juliettelemonnyer.com/Selected-Works</guid>

		<description>

	&#60;img width="3357" height="1881" width_o="3357" height_o="1881" data-src="https://freight.cargo.site/t/original/i/c7c283121b5fb56c10b0cf6feb77702e7f7bdf6b623fdd64c1cf404bf4052657/Capture-decran-2022-08-09-a-16.45.06.PNG" data-mid="212282064" border="0"  src="https://freight.cargo.site/w/1000/i/c7c283121b5fb56c10b0cf6feb77702e7f7bdf6b623fdd64c1cf404bf4052657/Capture-decran-2022-08-09-a-16.45.06.PNG" /&#62;︎La Fin des Glaces, short documentary, HD, sound, (ongoing)



	
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/27d82439244f3d263ab018a26c76ffcf8af1a234ee9d03560c3ca683089dd13f/Juliette_Le_Monnyer_Reperes_Photo_5.png" data-mid="169558871" border="0"  src="https://freight.cargo.site/w/1000/i/27d82439244f3d263ab018a26c76ffcf8af1a234ee9d03560c3ca683089dd13f/Juliette_Le_Monnyer_Reperes_Photo_5.png" /&#62;︎ Ramallah, Palestine, décembre 2018, short documentary, HD, sound, 11’ (2025)&#38;nbsp;



	
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/177fac1b910fa8cddb8ee68385c2052a8f6b8b88f549429f75d98d7c95061e1a/vlcsnap-2020-10-01-13h26m08s594.png" data-mid="248536284" border="0"  src="https://freight.cargo.site/w/1000/i/177fac1b910fa8cddb8ee68385c2052a8f6b8b88f549429f75d98d7c95061e1a/vlcsnap-2020-10-01-13h26m08s594.png" /&#62;︎ The New Capital, one channel video work, HD, sound, 15’&#38;nbsp;(2020)



	

&#60;img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/5879c1745a881f0ea738f830b25e6e90efe19d40b3a5da769e421d7734ee16ee/_MG_7247-2.jpg" data-mid="248536334" border="0"  src="https://freight.cargo.site/w/1000/i/5879c1745a881f0ea738f830b25e6e90efe19d40b3a5da769e421d7734ee16ee/_MG_7247-2.jpg" /&#62;︎ Mémoires de mondes vivants, photographic installation (2024)


	
&#60;img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/6a8bbc4671f49d25221b4a121e01499612c6db25c3caa6a4c3c4241734ce449b/IMG_Stromboli_Visuel.jpg" data-mid="171306711" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/6a8bbc4671f49d25221b4a121e01499612c6db25c3caa6a4c3c4241734ce449b/IMG_Stromboli_Visuel.jpg" /&#62;
︎ On a vu Stromboli, experimental short film, HD, sound, 15’ (2017)


	
&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/9371887d09dfbd45e0d0994ce8389b0f2beb09ed2fbb053355b8ca11af693850/Scan_Stone_Pour_Impression-10.jpg" data-mid="169558746" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/9371887d09dfbd45e0d0994ce8389b0f2beb09ed2fbb053355b8ca11af693850/Scan_Stone_Pour_Impression-10.jpg" /&#62;︎ Out of sight, photographic and video installation, (2020)




	


	
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	<item>
		<title>La fin des glaces</title>
				
		<link>https://juliettelemonnyer.com/La-fin-des-glaces</link>

		<pubDate>Fri, 20 Nov 2020 15:56:12 +0000</pubDate>

		<dc:creator>Juliette Le Monnyer</dc:creator>

		<guid isPermaLink="true">https://juliettelemonnyer.com/La-fin-des-glaces</guid>

		<description>

La fin des glaces
ongoing film project
(english title : the end of the ice)
With the&#38;nbsp;support of the Fédération Wallonie-Bruxelles.Team : Rémy Bender, Maxime Gourdon, Lucien Richardson, Basile Richon &#38;amp; Christel Voeffray.


	

The film opens with an archive image showing the dimensions of the Rhône glacier in the 1920s. The next shot shows the same place in 2022, a century later. At first, nothing remains of the glacier. 
We follow Rémy as he walks from the plain towards the source of the Rhône, following the path of the former glacier. Greenery gives way to a mineral world, then a lake. At the foot of the glacier, large swathes of white tarpaulin cover part of the ice. Climbing a little higher, we finally reach the glacier.The film plays on a listening point and a point of view that are disjointed. In the image, we discover the different strata that make up this place today and the advanced state of melting ice. In sound, a soundscape is constructed from the dimensions of the glacier a century ago. The principle of the film is that of a double score: two spatial and temporal dimensions are superimposed, and collide.






&#60;img width="3357" height="1881" width_o="3357" height_o="1881" data-src="https://freight.cargo.site/t/original/i/cd429ec73dd8f344055c7c9ab6b39852185debc614d37e54249e1e51b8bed5d2/Capture-decran-2022-08-09-a-16.45.06.PNG" data-mid="165489687" border="0"  src="https://freight.cargo.site/w/1000/i/cd429ec73dd8f344055c7c9ab6b39852185debc614d37e54249e1e51b8bed5d2/Capture-decran-2022-08-09-a-16.45.06.PNG" /&#62;
&#60;img width="2877" height="1622" width_o="2877" height_o="1622" data-src="https://freight.cargo.site/t/original/i/9cca88c2bcb636602ef7d51a2d47b46334d80cdc3fee1100bd8738bffef8d3cb/Capture-decran-2024-09-15-a-15.40.28.png" data-mid="218425669" border="0"  src="https://freight.cargo.site/w/1000/i/9cca88c2bcb636602ef7d51a2d47b46334d80cdc3fee1100bd8738bffef8d3cb/Capture-decran-2024-09-15-a-15.40.28.png" /&#62;

	

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	<item>
		<title>Ramallah, Palestine, décembre 2018</title>
				
		<link>https://juliettelemonnyer.com/Ramallah-Palestine-decembre-2018</link>

		<pubDate>Fri, 24 Feb 2023 15:50:02 +0000</pubDate>

		<dc:creator>Juliette Le Monnyer</dc:creator>

		<guid isPermaLink="true">https://juliettelemonnyer.com/Ramallah-Palestine-decembre-2018</guid>

		<description>

Ramallah, Palestine, décembre 20182025

HD video, sound, 10’18”
Produced by Atelier Graphoui
With the support from Bureau International Jeunesse, WBI


	


	
		
		
	
	
		
			
				
					Amid the buildings and streets of Ramallah, men take up positions. In a continuous, unedited
shot, the camera witnesses a confrontation between Palestinians and Israeli soldiers illegally
stationed in the city. With a single gesture, the viewer experiences the occupation of Palestinian
territory in real time.






&#60;img width="2880" height="1620" width_o="2880" height_o="1620" data-src="https://freight.cargo.site/t/original/i/163e5af182e73eeeded8feb6db819086d5902f7b5414f90d381e6af67b363e6d/Capture-decran-2021-03-14-a-13.10.03.png" data-mid="169565256" border="0" alt="Film Still" data-caption="Film Still" src="https://freight.cargo.site/w/1000/i/163e5af182e73eeeded8feb6db819086d5902f7b5414f90d381e6af67b363e6d/Capture-decran-2021-03-14-a-13.10.03.png" /&#62;
&#60;img width="2880" height="1620" width_o="2880" height_o="1620" data-src="https://freight.cargo.site/t/original/i/7ee8f30ce6778d3fdf2b6f27217899cc4cbc9e896761d010b8bd449aad210cc3/Capture-decran-2021-03-14-a-12.53.27.png" data-mid="169565495" border="0" alt="Film Still" data-caption="Film Still" src="https://freight.cargo.site/w/1000/i/7ee8f30ce6778d3fdf2b6f27217899cc4cbc9e896761d010b8bd449aad210cc3/Capture-decran-2021-03-14-a-12.53.27.png" /&#62;
&#60;img width="794" height="1123" width_o="794" height_o="1123" data-src="https://freight.cargo.site/t/original/i/f1146064be7baa4d902fcd7fc8ad1c79d542ffb0b2eecef31991f6fa9bdef564/JLM_RAMALLAH_AFFICHE_WEB_150DPI.jpg" data-mid="225826091" border="0" alt="Poster of the film, by R&#38;eacute;my Bender" data-caption="Poster of the film, by Rémy Bender" src="https://freight.cargo.site/w/794/i/f1146064be7baa4d902fcd7fc8ad1c79d542ffb0b2eecef31991f6fa9bdef564/JLM_RAMALLAH_AFFICHE_WEB_150DPI.jpg" /&#62;


	


	Ramallah, Palestine, december 2018 is a short documentary film shot in 2018 in the West Bank. In a continuous, unedited shot, the camera uses successive reframes to reveal a confrontation between the inhabitants of Ramallah and Israeli soldiers stationed illegally on the territory. As the camera moves, the frame widens and the audience then discovers the confrontation. Scene after scene, the audience experiences an Israeli military intrusion into Palestinian territory in real time. The camera first records groups of Palestinian men and children observing what is happening off-screen. Young men stand behind burning tyres and try to push away Israeli soldiers positioned infront of a café and in a building under construction by throwing stones at them. Parked a hundred metres away, Israeli military vehicles and reinforcements occupy the lower part of the avenue. The camera then returns to its initial frame and we see the same group of Palestinian men that opened the film: they are still there, watching, eternally uncertain.


				
			
		
	

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	<item>
		<title>The New Capital</title>
				
		<link>https://juliettelemonnyer.com/The-New-Capital</link>

		<pubDate>Fri, 24 Feb 2023 16:10:14 +0000</pubDate>

		<dc:creator>Juliette Le Monnyer</dc:creator>

		<guid isPermaLink="true">https://juliettelemonnyer.com/The-New-Capital</guid>

		<description>

The New Capital
2020
Video 4k, sound, 14’10”
	











The New Capital documents the construction of Egypt's new capital in the middle of the desert, halfway between Cairo and the Suez Canal. The film combines satellite imagery, found footage and 3D models of the project led by President Abdel Fattah al-Sissi. This new ‘smart’ administrative city fills us with doubts: what are the real intentions of the authorities behind this megaproject in the middle of the desert? 





&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1f65dc9468bbae3921818daab34bf7c1a54126a4c09290b624677379f6c86d3f/vlcsnap-2020-10-01-13h28m05s461.png" data-mid="169567773" border="0" alt="Photogramme du film" data-caption="Photogramme du film" src="https://freight.cargo.site/w/1000/i/1f65dc9468bbae3921818daab34bf7c1a54126a4c09290b624677379f6c86d3f/vlcsnap-2020-10-01-13h28m05s461.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/9f25f2edfe73b188d2969959a7230b797c56a2d4e8a58759f8e4530397b26053/vlcsnap-2020-10-01-13h26m44s972.png" data-mid="169567775" border="0" alt="Photogramme du film" data-caption="Photogramme du film" src="https://freight.cargo.site/w/1000/i/9f25f2edfe73b188d2969959a7230b797c56a2d4e8a58759f8e4530397b26053/vlcsnap-2020-10-01-13h26m44s972.png" /&#62;
&#60;img width="3321" height="4982" width_o="3321" height_o="4982" data-src="https://freight.cargo.site/t/original/i/1d876f551e0b8c9cef827385f3cbbebc3d051722bbb69e9fadf27a7d19dd8f8f/IMG_0556.jpg" data-mid="169568045" border="0" alt="Vue d'installation, Le Bel Ordinaire, Pau (FR)" data-caption="Vue d'installation, Le Bel Ordinaire, Pau (FR)" src="https://freight.cargo.site/w/1000/i/1d876f551e0b8c9cef827385f3cbbebc3d051722bbb69e9fadf27a7d19dd8f8f/IMG_0556.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/177fac1b910fa8cddb8ee68385c2052a8f6b8b88f549429f75d98d7c95061e1a/vlcsnap-2020-10-01-13h26m08s594.png" data-mid="169567777" border="0" alt="Photogramme du film" data-caption="Photogramme du film" src="https://freight.cargo.site/w/1000/i/177fac1b910fa8cddb8ee68385c2052a8f6b8b88f549429f75d98d7c95061e1a/vlcsnap-2020-10-01-13h26m08s594.png" /&#62;




	




				
			
		
	


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	<item>
		<title>Mémoires de mondes vivants</title>
				
		<link>https://juliettelemonnyer.com/Memoires-de-mondes-vivants</link>

		<pubDate>Wed, 08 Jan 2025 16:09:38 +0000</pubDate>

		<dc:creator>Juliette Le Monnyer</dc:creator>

		<guid isPermaLink="true">https://juliettelemonnyer.com/Memoires-de-mondes-vivants</guid>

		<description>

Mémoires de mondes vivants
2024

(english title :&#38;nbsp;Memories of alive worlds)With the support of Wallonie-Bruxelles International


	
Following text written by Lisi Linster during my residency at Neimenster (LU)︎︎︎“Images lost in their sequence, cropped, juxtaposed, manipulated, and filtered, the cinematographer and visual artist Juliette Le Monnyer breaks the temporal boundaries of photography.During her residency at neimënster, the artist furthered her reflections on the human impact on nature. In her visual research project entitled “mémoire de mondes vivants” she investigates the desertification of the Mediterranean basin. Luscious green landscapes give way to different shades of grey and beige. The fertile ground is dried up, creating crackles, holes, and creators. Nature becomes absence, visually defined by negative spaces.Yet the landscape is never stagnant. Nothing is motionless. It is this aspect of nature, stirred by wind and weather, that the artist is seeking to capture in her works: Nature in transition. Her works thus incite a new way of thinking about the idea of the image, the image as a sequence bound to its temporal context. Thus, rather than creating “film stills” her photographs are fragments that evoke both the past and the future. Like a film strip, they are irrevocably linked to the image before and after.


	
Sequence [orange]&#38;nbsp;incapsulates this process: a sequence of three photographs is placed underneath different shades of orange gelatine filters. Though the images are not necessarily in direct sequence to each other the composition of the work forces a narrative onto them. Indeed, through obvious cropping, reframing, and juxtaposing, the artist highlights the image as both a temporal and a contextualised entity. The further manipulation of the image – changing of contrasts and even vectorising the landscape – and superposition of gelatine filters underline the subjective nature of the image. It is not a documentation. The image is inherently subjective. Juliette Le Monnyer explained, that through the use of filters, the landscapes regain their warmth – they get “warmed up”.
Gelatine filters are directly borrowed from stage and film lighting, to present a scenery in a different light. As such, the artist shines a literal “new light” onto these desert landscapes, bathing them in the warm glow of the sun, and making them look welcoming and fertile. But just like a filter on a mobile app, these filters mask the truth, they hide the hostile living conditions and the visible impact global warming has on nature. The work highlights how easily images can be (and are) manipulated by the media and politics, to greenwash reality, blur, filter, and hide it.Her work at the residency is, thus, the amalgamation of her research in cinema, photography, and visual arts allowing her a specific point of view that transgresses the preconceived norms of the chosen media.”© Neimenster 



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</description>
		
	</item>
		
		
	<item>
		<title>Out of sight installation</title>
				
		<link>https://juliettelemonnyer.com/Out-of-sight-installation</link>

		<pubDate>Fri, 24 Feb 2023 16:24:08 +0000</pubDate>

		<dc:creator>Juliette Le Monnyer</dc:creator>

		<guid isPermaLink="true">https://juliettelemonnyer.com/Out-of-sight-installation</guid>

		<description>

Out of sight
2020
HD video, sound, 16’53”


	Out of Sight takes as its starting point the geological chronology of a volcanic rock from Egypt's Black Desert. This rock is the trace of a knowledge invisible at first sight: this desert is an ancient sea.




The video looks at the various cardinal points of these contemporary landscapes, in conversation with expert Dr. Giovanni Bertotti, Professor at the Department of Applied Geology, Faculty of Civil Engineering and Geosciences, Delft University of Technology. From the Earth's geological evolution to global warming, from the desertification of the Mediterranean basin to its future disappearance, we witness a conversation in which temporality and decadence transform our terrestrial perspectives.







	&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/8406bb16e5581133d0745d9ac70584aa6fd1f2bb7a70ecaa8fc4abe428a6c3f3/Scan_Stone_Pour_Impression-51.jpg" data-mid="169570352" border="0" alt="Vue d'exposition, Galerie des futurs, Bozar, Bruxelles (BE)" data-caption="Vue d'exposition, Galerie des futurs, Bozar, Bruxelles (BE)" src="https://freight.cargo.site/w/1000/i/8406bb16e5581133d0745d9ac70584aa6fd1f2bb7a70ecaa8fc4abe428a6c3f3/Scan_Stone_Pour_Impression-51.jpg" /&#62;

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	On a single plane, 3D scans of volcanic rocks from the Egyptian black desert are assembled. Based on the principle of chronophotography, the movement is only activated when viewed by a visitor. The production of these intermediate representations - neither real rocks, nor virtual scans - makes it possible to integrate these photographic rock samples into a kinematic space, where the sequence, borrowing from the “contact sheet”, provides the impetus for movement.

	&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/772a84e52cededef2f27aa7c63b27f88152d9f0cd79019e0c8500249e5a42367/Scan_Stone_Pour_Impression-3.jpg" data-mid="248532488" border="0"  src="https://freight.cargo.site/w/1000/i/772a84e52cededef2f27aa7c63b27f88152d9f0cd79019e0c8500249e5a42367/Scan_Stone_Pour_Impression-3.jpg" /&#62;
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</description>
		
	</item>
		
		
	<item>
		<title>On a vu Stromboli</title>
				
		<link>https://juliettelemonnyer.com/On-a-vu-Stromboli-1</link>

		<pubDate>Sat, 11 Mar 2023 15:53:23 +0000</pubDate>

		<dc:creator>Juliette Le Monnyer</dc:creator>

		<guid isPermaLink="true">https://juliettelemonnyer.com/On-a-vu-Stromboli-1</guid>

		<description>

On a vu Stromboli
2017
(english title : We saw Stromboli)
HD video, sound, 14’48”
Graduation film


	











On a vu Stromboli is a journey through time. When the blackness of night invades us, what do we see? Fragments of life imprint themselves on the image as they slip away.&#38;nbsp;What are we left with? Perhaps the song of departure, the breath of the volcano, the song of the frogs.




&#60;img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/6a8bbc4671f49d25221b4a121e01499612c6db25c3caa6a4c3c4241734ce449b/IMG_Stromboli_Visuel.jpg" data-mid="171306172" border="0"  src="https://freight.cargo.site/w/1000/i/6a8bbc4671f49d25221b4a121e01499612c6db25c3caa6a4c3c4241734ce449b/IMG_Stromboli_Visuel.jpg" /&#62;


	



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	<item>
		<title>About</title>
				
		<link>https://juliettelemonnyer.com/About</link>

		<pubDate>Sat, 21 Jan 2023 14:41:50 +0000</pubDate>

		<dc:creator>Juliette Le Monnyer</dc:creator>

		<guid isPermaLink="true">https://juliettelemonnyer.com/About</guid>

		<description>

	
Juliette Le Monnyer (b. 1993, France) is a visual artist and filmmaker based in Brussels, Belgium.
 Her work examines the intersections of perception, ecology, and geopolitics, questioning the power dynamics that shape our biases regarding territories, environments, and social systems. Her practice explores structural violences in contemporary societies and challenges the mechanisms of domination.


Le Monnyer hybridizes film, video, photography, and installation, destabilizing cinematic and photographic conventions. Through radical interventions in duration, space, and editing, she expands the boundaries of the frame, dismantling filmic norms and creating visual languages that foster critical reflection and new forms of mobility. Drawing from documentary footage, photographs, and found material, she reconfigures images to expose invisible tensions and systemic violences within society and territory.


Her projects engage with geopolitical and ecological crises, from the Israeli illegal occupation of the West Bank in Palestine to the geological histories of the Mediterranean basin and the melting of glaciers in the Alps. By pushing the potential of documentary imagery, her works propose new ways of seeing, exploring the dimensions of power within places in crisis.


In 2025, she received the New:Vision Award at CPH:DOX for her film Ramallah, Palestine, December 2018. She is a member of the Level Five artists’ collective in Brussels and a graduate of Cinema Aesthetics at La Sorbonne, Paris; Visual Arts at Erg, Brussels; and the Royal Danish Academy of Fine Arts, Copenhagen. Recent exhibitions and screenings include Bozar (BE), Beursschouwburg (BE), CPH:DOX (DK), Dokufest (XK), Ji.hlava (CZ), BISFF (CN), and Open City, London (GB).





︎︎︎
email : juliette.lemonn(at)gmail.com
instagram : juliettelemonn


	

	

	&#60;img width="1068" height="1600" width_o="1068" height_o="1600" data-src="https://freight.cargo.site/t/original/i/c2b652c25cd29cad4bf20ce6006ceb398074d04822037d4e5a920f7ca0419be0/_DSC5329-petit.jpg" data-mid="231416119" border="0"  src="https://freight.cargo.site/w/1000/i/c2b652c25cd29cad4bf20ce6006ceb398074d04822037d4e5a920f7ca0419be0/_DSC5329-petit.jpg" /&#62;At the studio at Level Five, Brussels
photo credit : Axel Korban
&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/89c57ec49517fe5f7591eb2cca21a5666acb8c970eb3efbd1d992177273011c4/mfdf2025_pondeli_2048px_JanHromadko-2004.jpg" data-mid="245279285" border="0"  src="https://freight.cargo.site/w/1000/i/89c57ec49517fe5f7591eb2cca21a5666acb8c970eb3efbd1d992177273011c4/mfdf2025_pondeli_2048px_JanHromadko-2004.jpg" /&#62;
Screening at Jihlava international documentary film festival, Czech Republic 2025photo credit : Jihlava iff team&#60;img width="7008" height="4672" width_o="7008" height_o="4672" data-src="https://freight.cargo.site/t/original/i/e900ad361b78e176e549676432b8d78176165c21cacc8111d8db772b42f3bcb1/55081071653_03348deb3d_o.jpg" data-mid="245279295" border="0"  src="https://freight.cargo.site/w/1000/i/e900ad361b78e176e549676432b8d78176165c21cacc8111d8db772b42f3bcb1/55081071653_03348deb3d_o.jpg" /&#62;Screening at Cinéma Galerie, Brussels 2026for EnVille! film festivalphoto credit : EnVille! film festival



	

	

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	<item>
		<title>Press</title>
				
		<link>https://juliettelemonnyer.com/Press</link>

		<pubDate>Tue, 24 Feb 2026 15:35:21 +0000</pubDate>

		<dc:creator>Juliette Le Monnyer</dc:creator>

		<guid isPermaLink="true">https://juliettelemonnyer.com/Press</guid>

		<description>

	

Interview RTBF - 2026 french speaking

https://www.rtbf.be/article/ramallah-palestine-et-le-festival-en-ville-montrer-le-reel-a-l-ecran-et-le-vivre-en-salle-11668645
&#60;img width="2880" height="1616" width_o="2880" height_o="1616" data-src="https://freight.cargo.site/t/original/i/366ee78738d6d8fa6047aaff52f01a7884cdc8f752301fa68bfe521554333fa4/Capture-decran-2026-01-27-a-17.20.47.png" data-mid="245278066" border="0"  src="https://freight.cargo.site/w/1000/i/366ee78738d6d8fa6047aaff52f01a7884cdc8f752301fa68bfe521554333fa4/Capture-decran-2026-01-27-a-17.20.47.png" /&#62;




	

InterviewCinergie - 2026 french speaking
https://www.youtube.com/watch?v=O40Ik9ohpk8


&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/131c53d1244be5c8722873542381ff175f3680c7e748b0cb5f3fff0581af27e4/Capture-decran-2026-02-24-a-16.44.07.png" data-mid="245278241" border="0"  src="https://freight.cargo.site/w/1000/i/131c53d1244be5c8722873542381ff175f3680c7e748b0cb5f3fff0581af27e4/Capture-decran-2026-02-24-a-16.44.07.png" /&#62;




	Podcast “Palestine Mon Amour”

Benim Sinemalarim by Zekican Sarisoy
2025 english speaking&#38;nbsp;https://open.spotify.com/episode/69nlD6nPGxpDQZRPmSoRr3?si=V_oB0hHeQRqDAWf_YMDKGQ&#38;amp;nd=1&#38;amp;dlsi=94faf1cba3334bb2

&#60;img width="1518" height="979" width_o="1518" height_o="979" data-src="https://freight.cargo.site/t/original/i/f218f46bc97c8eca3e1d3725ff805a0b39289cb474f7117ae941ceb5f91d393f/Palestine-mon-amour-copie.png" data-mid="245278886" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/f218f46bc97c8eca3e1d3725ff805a0b39289cb474f7117ae941ceb5f91d393f/Palestine-mon-amour-copie.png" /&#62;


	Article BalkanInsight - 2025 english‘Constant War’: Kosovo’s Documentary Festival Addresses Age of Conflicthttps://balkaninsight.com/2025/08/08/constant-war-kosovos-documentary-festival-addresses-age-of-conflict/
&#60;img width="2836" height="1912" width_o="2836" height_o="1912" data-src="https://freight.cargo.site/t/original/i/9343fce44289dc697a66c1eb5c3a1d43bce1be193d69949a13fccd42f1947fb6/Capture-decran-2026-02-24-a-17.00.54.png" data-mid="245278816" border="0" data-scale="96" src="https://freight.cargo.site/w/1000/i/9343fce44289dc697a66c1eb5c3a1d43bce1be193d69949a13fccd42f1947fb6/Capture-decran-2026-02-24-a-17.00.54.png" /&#62;




	Article in Filmmaker Magazine
english - 2026https://filmmakermagazine.com/132954-the-best-films-of-2025-as-chosen-by-some-of-its-key-directors/
&#60;img width="1918" height="1898" width_o="1918" height_o="1898" data-src="https://freight.cargo.site/t/original/i/8fb758226cb858ef94840e35de93a519a5b2748b1d18f4eeec8cd5a2da163025/Filmmaker-Mag.png" data-mid="245342262" border="0"  src="https://freight.cargo.site/w/1000/i/8fb758226cb858ef94840e35de93a519a5b2748b1d18f4eeec8cd5a2da163025/Filmmaker-Mag.png" /&#62;

	Article in Yanco - Kortfilm vzw
by Ren Scateni - english - 2025https://yanco.be/en/magazine/agents-control
&#60;img width="1922" height="1698" width_o="1922" height_o="1698" data-src="https://freight.cargo.site/t/original/i/9780dd0a73662e7a27d2f9396a20f816130d1d4ab5e5114eb660a4eb500fe578/Capture-decran-2026-02-26-a-10.04.30.png" data-mid="245342278" border="0"  src="https://freight.cargo.site/w/1000/i/9780dd0a73662e7a27d2f9396a20f816130d1d4ab5e5114eb660a4eb500fe578/Capture-decran-2026-02-26-a-10.04.30.png" /&#62;




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